Tron. Crap. Synonyms.
Tron 2 is in development.
They’re not calling it Tron 2, though. They’re calling it TR2N. Which is unreadable and annoying, much like the first Tron movie.
Make no mistake – Tron blows.
I had a vague recollection of seeing this thing when it was in theatres and not liking it, but I also remembered playing the video game with the speeding light cycles and liking that. As buzz for TR2N began to build, and as the likes of Harry Knowles at AintItCoolNews began to sing the praises of the original, I managed to convince myself that my memories of the film were somehow inaccurate, and, convoluted as those memories were, I ought to give Tron another chance.
So we Netflixed it. Not a good plan.
It’s not just that the movie looks like it’s been filmed through a muddy digital lens with only twelve pixels. Indeed, the attempt at computer animation, made back when Asteroids was still a hot video game in arcades, has to be accepted for the ambitious breakthrough that it was. My complaints aren’t technical – they’re logical. The movie is filled with dated, convoluted jargon, and to say that its premise is stupid is to say that using wallpaper paste for shampoo is stupid. It’s so obviously boneheaded that its not worth mentioning.
Apparently, all of our computer programs have complex, emotionally satisfying lives within the confines of our hard disks. They have genders; they fall in love; they get high drinking virtual water; they have religions; they have bad fashion sense and a wide variety of driving skills, and they look like the people who program them. Groovy, no?
They’re not calling it Tron 2, though. They’re calling it TR2N. Which is unreadable and annoying, much like the first Tron movie.
Make no mistake – Tron blows.
I had a vague recollection of seeing this thing when it was in theatres and not liking it, but I also remembered playing the video game with the speeding light cycles and liking that. As buzz for TR2N began to build, and as the likes of Harry Knowles at AintItCoolNews began to sing the praises of the original, I managed to convince myself that my memories of the film were somehow inaccurate, and, convoluted as those memories were, I ought to give Tron another chance.
So we Netflixed it. Not a good plan.
It’s not just that the movie looks like it’s been filmed through a muddy digital lens with only twelve pixels. Indeed, the attempt at computer animation, made back when Asteroids was still a hot video game in arcades, has to be accepted for the ambitious breakthrough that it was. My complaints aren’t technical – they’re logical. The movie is filled with dated, convoluted jargon, and to say that its premise is stupid is to say that using wallpaper paste for shampoo is stupid. It’s so obviously boneheaded that its not worth mentioning.
Apparently, all of our computer programs have complex, emotionally satisfying lives within the confines of our hard disks. They have genders; they fall in love; they get high drinking virtual water; they have religions; they have bad fashion sense and a wide variety of driving skills, and they look like the people who program them. Groovy, no?
No.
See, back in 1982, when Tron came out, I was actually writing computer programs in BASIC on my Atari 400 that I’d purchased with hard-earned paper route money. They involved statistical comparisons to determine which girls were the hottest and roughly pixilated explosions to simulate nuclear war. I had to save them on cassette tapes that took about half an hour to load while making horribly twisted screeching sounds. They were all about a hundred lines or so, and I guarantee you that none of them were catching any nookie in their virtual downtime.
Even now, the idea that programs are complex enough to simulate human life is silly, but in 1982, when the Commodore 64 was state-of-the-art, it’s like saying a piece of dog chow could compose Handel’s Messiah. And then to put a real human in the mix, as Tron does with Jeff Bridges’ Flynn character, you have to hurl your brain out the window to begin to take the thing seriously.
Trust me, I can do stupid if it’s fun. This is not fun. It’s the polar opposite of fun. The dialogue is so joyless and wooden that you keep waiting for Anakin Skywalker to show up to explain how love is blind and sand is not smooth. George Lucas writes better than this, and that’s saying something. (Hint: What it’s saying is not good.)
We’re continually trying to find new and innovative ways to punish our children when they’re unruly. Sometimes we make them do wall sits or put a drop of Tobasco on their tongues if they say something nasty. But now, we’ve determined that threatening to make them watch Tron all the way through is a surefire bad behavior deterrent.
So don’t look for me waiting in line to catch the opening of TR2N. I’ll be at home, scrubbing the wallpaper paste out of my hair.
See, back in 1982, when Tron came out, I was actually writing computer programs in BASIC on my Atari 400 that I’d purchased with hard-earned paper route money. They involved statistical comparisons to determine which girls were the hottest and roughly pixilated explosions to simulate nuclear war. I had to save them on cassette tapes that took about half an hour to load while making horribly twisted screeching sounds. They were all about a hundred lines or so, and I guarantee you that none of them were catching any nookie in their virtual downtime.
Even now, the idea that programs are complex enough to simulate human life is silly, but in 1982, when the Commodore 64 was state-of-the-art, it’s like saying a piece of dog chow could compose Handel’s Messiah. And then to put a real human in the mix, as Tron does with Jeff Bridges’ Flynn character, you have to hurl your brain out the window to begin to take the thing seriously.
Trust me, I can do stupid if it’s fun. This is not fun. It’s the polar opposite of fun. The dialogue is so joyless and wooden that you keep waiting for Anakin Skywalker to show up to explain how love is blind and sand is not smooth. George Lucas writes better than this, and that’s saying something. (Hint: What it’s saying is not good.)
We’re continually trying to find new and innovative ways to punish our children when they’re unruly. Sometimes we make them do wall sits or put a drop of Tobasco on their tongues if they say something nasty. But now, we’ve determined that threatening to make them watch Tron all the way through is a surefire bad behavior deterrent.
So don’t look for me waiting in line to catch the opening of TR2N. I’ll be at home, scrubbing the wallpaper paste out of my hair.
P.S. Tron does have David Warner in it, though, so that's something. David Warner is the consummate bad guy. He was great in every piece of crap he's ever been in, including Tron. You don't see him much anymore, though. I hope he's not dead.
21 Comments:
Are you trying to say you've never attempted to make out with one of your programs?
I think your criticism about the movie’s premise is based on your dislike of the movie as a whole. If it was a good story you would cut it some slack. The premise behind it is no more farfetched than “Toy Story”, “A Bugs Life” or “Cars”. The difference is those were good movies and Tron was not.
It the programs in Tron spoke with a lisp and pranced around like Kansas City …. you wouldn’t care as long as you enjoyed the show.
Here is a more important question. Which movie is worse “Tron” or “The Black Hole”? Why?
Tron Rules. You Suck.
Get that through your head.
I await Stallion's Automan diatribe with baited breath.
Thank goodness you loved Dark Knight.
This comment has been removed by the author.
This is about as relevant as a third testicle.
I hope Stallion’s Diatribe has enough fiber. For his sake.
So let's see if I can get this straight.
You hate Tron, but loved Mama Mia.
Nah, you're not gay! You're not gay at all!
He's right, it sucked.
SM
I'm surprised that he has time to blog since he missed Carousel.
robotonthetoilet has an excellent point about the premise of Tron being no more ridiculous than a lot of other movies. It wasn't great, but it wasn't bad, either. I like it.
I have to defend Mr. Cornell here. Indeed a movie anthropomorphizing computer programs isn't necessarily a bad movie. That's not what made Tron ridiculous (and more so than other films) to me. A movie anthropomorphizing computer programs with a really bad script is ridiculous though, and therein lies my beef with Tron. The dialogue was terrible, and there were long sequences where nothing was said. It was basically someone's computer graphics demo, only it took like 1 1/2 hours rather than 5 minutes. So much more could have been done with that premise, but the writers chose to just rely on special effects rather than produce a meaningful script.
Other movies have suffered from this. The most notable one that comes to mind at present is Independence Day.
Independence Day. That thing was just a pale imitation of Pal's War of the Worlds.
Screw you and the light cycle you rode in on.
I hear Stallion will be reviewing Istar next.
Blogboy is getting a bit lackadaisical in his posting.
Yeah but Tron and Independence day weren't nearly as bad as Transformers, which had just about the stupidest script of any summer blockbuster thusfar.
Dah! I forgot about Transformers, and that should have been first and foremost! The script was atrocious, and the effects where downright amazing. It was pretty funny when the Autobots were "hiding" outside the kid's house though.
All in all, I wish I could get that 2 hours or so of my life back.
I liked Independence day! It's way stupid but a whole lot of fun.
Transformers blew.
Tron was worse than both of these.
No way.
Tron, as crappy as teh script was, can still hold your attention with the unusual uniqueness of the art throughout the film.
Independence Day, as silly as that was, had a half way decent cast and is a fairly good set of fireworks to see on the big screen.
Transformers just has nothing. Absolutely nothing.
Except Megan Fox's bod. But that's it.
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